Seminar co-sponsored by Commonweal
Participants will receive a free one-year subscriptions to Commonweal, a journal of opinion on politics, religion and culture.
“We must know how to doubt when it is necessary.” — Blaise Pascal
Doubt is inextricable from faith. Doubt is ancient, compelling and necessary. “O Lord, how long shall I cry for help, / and thou wilt not hear,” lamented the prophet Habakkuk. “Doubt wisely;” John Donne wrote, “in strange way / To stand inquiring right, is not to stray; / To sleep, or run wrong, is.”
Doubt is not the absence of belief. Instead, doubt is natural, inevitable and perhaps healthy. In the Catholic tradition, writers, artists and theologians have wrangled with doubt.
In this eight-week online course, we will join that essential tradition. It is a tradition that dates back to Christ, whose words on the cross — “My God, my God, why have you forsaken me?” — echo both the psalmist, but also our own doubts. In this course, we will consider how doubt exists along a continuum of uncertainty and how faith is not a state of achievement and permanence but a spiritual journey.
In this course, you will be invited to read, write, share, think and discuss. You will join a group of students who seek faith with complexity. You will read works of poetry, memoir and fiction, and then you will have the opportunity to choose the genre in which you want to pursue your own thoughts through original narratives. You will share those works in a supportive environment and will receive feedback from your peers and the instructor — an affirmation that our creative engagement with doubt is itself an act of faith.
Our course will run asynchronously online on the Wet Ink writing and workshop platform, which was designed for online instruction. Each week we’ll start with a posted lesson that prompts reflection through a narrative lecture focused on the topics and themes of that week, as well as course material. You will complete short exercises and participate in discussion forums. As a way to cultivate community, you may participate in two informal and optional Zoom meetings.
Week 1: September 15
What Doubt Looks Like To Us and the Words We Use
Reading: “What It Looks Like To Us and the Words We Use” by Ada Limón (poem)
Week 2: September 22
Doubt Can Be a Sign
Reading: “To Council and to Instruct” by Pope Francis (general audience address; 11/23/2016)
Week 3: September 29
Searching
Readings: “Houses of the Spirit” by Mary Karr (essay), “The Moviegoer” by Walker Percy (novel excerpt)
Week 4: October 6
Crypto-Religious Art
Reading: “The Last Supper” by Paul Elie (nonfiction book excerpt)
Viewing: Scene from “The Last Temptation of Christ” (1988)
Week 5: October 13
Between Parody and Apostasy
Reading: “Charles the Obscure” by Charles Simic (essay), “Today is Friday” by Ernest Hemingway (play)
Week 6: October 20
Questions for God / Questioning God
Reading: “God After the Loss of God: What Comes After Atheism?” by Richard Kearney (essay)
Week 7: October 27
A Poet Laureate of Doubt
Readings: “Catholic” and “The Future is Like Magic: A Notebook” by Fanny Howe (essays)
Week 8: November 3
Returns
Readings: Poems by Mary Karr and Franz Wright
Viewing: Scenes from “Doubt” (2008)
Nick Ripatrazone is an author, editor, writer and teacher. His new book, “The Habit of Poetry: The Literary Lives of Nuns in Midcentury America,” is the story behind a midcentury renaissance of nuns and sisters who wrote poetry (Fortress Press 2023).
His other recent books include “Longing for an Absent God: Faith and Doubt in Great American Fiction” and “Wild Belief: Poets and Prophets in the Wilderness,” both from Broadleaf Books, and “Digital Communion: Marshall McLuhan’s Spiritual Vision for a Virtual Age,” from Fortress Press.
Nick is the culture editor for Image Journal, a quarterly magazine that seeks to publish the best writing and artwork informed by or grappling with religious faith.
He has written regular columns for Literary Hub and The Millions about literary magazines, teaching and poetry.
Nick has written for Rolling Stone, GQ, The Atlantic, The Paris Review, Esquire, Outside, The Sewanee Review, America, Commonweal, The Christian Century, Christianity Today, The Kenyon Review, The Iowa Review, The Mississippi Review, The Poetry Foundation, the Catholic Herald (UK) and elsewhere.
Wet Ink was designed specifically for online writing classes. Wet Ink is private, easy to use and interactive. Learn more about Wet Ink by watching a class demo.
We here at the Jesuit Media Lab are thrilled to be co-sponsoring this seminar with our friends at Commonweal, a journal of politics, religion and culture that has been led by lay Catholics since its founding over 100 years ago. This course’s instructor Nick Ripatrazone has contributed to Commonweal, as have many members of the JML family. If you’re interested in this course, you’ll love reading Commonweal. (You might very well already love reading Commonweal!) Commonweal is offering all participants in the course a free year-long print and electronic subscription to the magazine, which is an incredible deal.
If you’re interested in the course but the enrollment fee poses a financial hardship, email Mike Jordan Laskey at jccucommunications@jesuits.org. You can also email Mike with any general questions about the course.
Online Seminar: Faith and Doubt in the Catholic Literary Imagination is full; to join a waiting list, email medialab@jesuits.org
Nick Ripatrazone is a writer, editor and teacher. He is the culture editor for Image Journal and a contributing editor for the Catholic Herald (UK).